MAIN CONTENTS

Introduction

Text of the Study (pdf)

Audio Files

 

Appendices

A. The Torellian Periods

B. Torelli's Works

C. Paganelli & Giegling catalogue listings

D. Speculative Chronology

 

Contact

 

 

A. Torelli's Compositional Periods

 

 

 

1st Bolognese Period
c1684-1696
'Interim Period'
1696-1701
2nd Bolognese Period
1701-1709

- Torelli is employed as tenor viola player in the cappella musicale (the regular orchestra of San Petronio).

- members of the orchestra compose instrumental music for the big feasts.

- The cappella musicale is disbanded; Torelli leaves and works in German-speaking areas. - The cappella musicale is reconvened and strengthened; Torelli returns.
- Virtuoso trumpeters Brandi and Steffani play in the feasts.  

- Less skilled trumpeters.

- Oboes appear on the payrolls

- Opp. 1-5

- Time of most, if not all, of Torelli's 17 pieces for strings 'con tromba' (single trp) and bc.

- Opus 6 (1698).

- most likely time of the Roger Concerto.

- Opus 7 (lost) and Opus 8, both published posthumously in 1709.

- Time of Torelli's pieces for trumpets + oboe.